Terry Teachout

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Bio

Terry Teachout is the drama critic of The Wall Street Journal, the critic-at-large of Commentary, and the author of “Sightings,” a biweekly column for the Friday Journal about the arts in America. He also writes about the arts on his blog, “About Last Night” (www.terryteachout.com). Satchmo at the Waldorf, his first play, was written at the MacDowell Colony and Rollins College’s Winter Park Institute. It was premiered in 2011 in Orlando, Florida, and was produced the following year by Shakespeare & Company of Lenox, Massachusetts, Long Wharf Theatre of New Haven, Connecticut, and the Wilma Theater of Philadelphia.

Teachout’s latest book is Duke: A Life of Duke Ellington. His previous books include Pops: A Life of Louis Armstrong, All in the Dances: A Brief Life of George Balanchine, and The Skeptic: A Life of H.L. Mencken. He has written the libretti for three operas by Paul Moravec, The Letter (premiered by the Santa Fe Opera in 2009), Danse Russe (premiered by Philadelphia’s Center City Opera Theater in 2011), and The King’s Man (premiered by Kentucky Opera in 2013).

A graduate of William Jewell College, Teachout played jazz bass professionally in Kansas City before becoming a full-time writer. He contributed to The Oxford Companion to Jazz and has written track notes for Jazz: The Smithsonian Anthology and liner notes for albums by Karrin Allyson, Diana Krall, Marian McPartland, Maria Schneider, Luciana Souza, and other artists. He served on the National Council on the Arts from 2004 to 2010 and received a Guggenheim Fellowship in 2012 to support the writing of Duke. He lives with his wife Hilary in New York City and Connecticut.

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